SELECTED WORKS
After the Bloom

Prints & Editions
Edition Note
After the Bloom
Edition Specifications
- Fine art pigment print under 2 mm matte acrylic glass, mounted as an Acrylic Print with black Slimline Case.
- Printed on Fine Art Paper and finished without mat or added white border, so the image runs as a direct photographic surface inside a thin black aluminium edge.
- Size: 60 × 90 cm image size.
- External dimensions: approximately 60.2 × 90.2 cm.
- Hanging: aluminium rails.
Edition Terms
This work is offered as a unique physical collector’s edition. Following acquisition, no other collectible or saleable physical edition will be issued. The collector receives ownership of the numbered work and its certificate of authenticity; copyright and reproduction rights remain with the artist.
The artist may continue to present the image in exhibitions, portfolios, publications, archives, press, and other documentation of their artistic practice. Any separate exhibition reproduction remains a non-edition, not-for-sale display copy. No digital file or reproduction licence is included unless expressly listed.
For availability, acquisition inquiries, or further details about this edition, please get in touch.
The image shown here represents the work in its digital viewing form. The physical edition may differ in scale, surface, tonal response, border, framing, or presentation according to the selected print and framing specification.
Under the Umbel

Prints & Editions
Edition Note
Under the Umbel
Edition Specifications
- Solid Wood Frame with Passe-partout
- Image size: 60 × 40 cm
- External framed size: 77.7 × 57.7 cm
- Paper: Hahnemühle Photo Rag Ultra Smooth
- Frame: Hamburg 20 mm
- Frame colour: Maple natural
- Passe-partout: Linen natural white
- Glass: Museum glass
Edition Terms
At Fotoclub De Zoeker, each month brings a new photographic theme: a prompt to look differently, to search with more attention, and to translate an assigned subject into a personal image. For this month, the theme was “Insect.”
Rather than photographing the insect as a clear central specimen, the image approaches the theme through discovery. A small ladybird rests beneath the pale structure of a wildflower, partly hidden among stems, softness, and green light. Its presence is modest, almost easy to miss, yet it becomes the quiet point around which the photograph gathers.
The shallow focus turns the scene into a layered botanical space. The insect is not separated from its environment, but held within it: small, sheltered, and momentarily still. In that way, the photograph responds to the theme not only by showing an insect, but by preserving the act of noticing one.
The work is presented as a 60 × 40 cm fine-art print in a natural maple solid wood frame with a linen natural-white passe-partout, museum glass, and Hahnemühle Photo Rag Ultra Smooth paper. The external framed size is approximately 77.7 × 57.7 cm.
These choices are deliberately restrained. The photograph itself is soft, pale, green, and atmospheric, with much of its presence carried by subtle tonal transitions rather than strong contrast. A natural maple frame keeps the object warm and quiet, echoing the organic character of the subject without making the presentation feel rustic or decorative. The linen natural-white passe-partout gives the image breathing space and prevents the delicate whites of the flowers from being pressed too directly against the frame.
The museum glass protects the print while reducing reflections, allowing the soft surface and muted colour structure to remain visible without the distraction of glare. The Hahnemühle Photo Rag Ultra Smooth paper was chosen for its matte, refined surface: it supports the photograph’s grain, gentle focus, and botanical softness without adding gloss, artificial sharpness, or excessive contrast.
The result is a presentation that does not try to make the image louder. Instead, the frame, glass, paper, and passe-partout are chosen to extend the photograph’s quietness: a small encounter, preserved with care.
For availability, acquisition inquiries, or further details about this edition, please get in touch.
The image shown here represents the work in its digital viewing form. The physical edition may differ in scale, surface, tonal response, border, framing, or presentation according to the selected print and framing specification.
Green Suspension

Prints & Editions
Edition Note
Green Suspension
Edition Specifications
- Medium: Fine-art pigment print
- Paper: Hahnemühle Photo Rag Ultra Smooth
- Image size: 40 × 60 cm
- Framed size: 49.7 × 69.7 cm
- Frame: Hamburg 20 mm solid wood frame
- Frame colour: Black matte
- Passe-partout: Linen natural white
- Glass: Museum glass
- Motif border: Without white border
Edition Terms
At Fotoclub De Zoeker, each month introduces a new photographic theme — an invitation to observe more carefully, look beyond the obvious, and translate a shared subject into a personal image. For this month, the theme was “Insect.”
Rather than approaching the theme directly or illustratively, this photograph locates the insect within a quieter and more atmospheric natural setting. A small spider hangs beneath a bramble leaf, partially concealed among thorns, stems, and soft green light. The subject is not isolated as a specimen; instead, it is discovered gradually, almost as if emerging from the haze of the undergrowth itself.
The image is built around delicacy and tension: the sharpness of the thorns contrasts with the softness of the surrounding blur, while the small presence of the spider introduces a quiet sense of alertness into the scene. What begins as a study of plant form and filtered light slowly becomes something more watchful and intimate — a moment of hidden life suspended within the foliage.
Presented on Hahnemühle Photo Rag Ultra Smooth, the print retains the image’s subdued tonal transitions and soft, tactile surface. The black matte frame and natural-white passe-partout give the work structure and calm, allowing its more fragile, atmospheric qualities to remain central.
For availability, acquisition inquiries, or further details about this edition, please get in touch.
The image shown here represents the work in its digital viewing form. The physical edition may differ in scale, surface, tonal response, border, framing, or presentation according to the selected print and framing specification.
Pollen in Pink Light

Prints & Editions
Edition Note
Pollen in Pink Light
Edition Specifications
- Paper: Hahnemühle Photo Rag Ultra Smooth
- Image size: 58.3 × 50 cm
- Framed size: 74 × 65.7 cm
- Frame: Hamburg 20 mm solid wood
- Frame colour: Maple natural
- Passe-partout: Linen natural white
- Glass: Museum glass
- Motif border: Without white border
Edition Terms
At Fotoclub De Zoeker, each month begins with a new photographic theme — a small assignment that asks the photographer to look again, and search more deliberately. This month’s theme was “Insect.”
Pollen in Pink Light studies flowering rhododendron blossoms at close range, where pale pink petals, red-orange markings, glossy leaves, and a small visiting bee converge in bright spring light. The image balances softness and density: the flowers appear luminous and delicate, yet the darker foliage behind them gives the scene weight and contrast.
The work has a distinctly post-analog character: gentle grain, tactile colour, slight optical softness, and a feeling of light being held inside the petals rather than merely falling on them. The composition avoids a purely decorative floral reading by allowing shadow, blur, and natural imperfection to remain present. What first appears as a lush botanical image becomes a study of suspended attention — pollen, light, surface, and movement briefly gathered into one frame.
The maple frame and natural-white linen passe-partout keep the presentation warm and domestic, while the museum glass and Photo Rag Ultra Smooth paper preserve the image’s fine detail and subdued tonal transitions.
For availability, acquisition inquiries, or further details about this edition, please get in touch.
The image shown here represents the work in its digital viewing form. The physical edition may differ in scale, surface, tonal response, border, framing, or presentation according to the selected print and framing specification.
Threshold in Early Spring

Prints & Editions
Edition Note
Threshold in Early Spring
Edition Specifications
- 60 × 90 cm image area
- 77.7 × 107.7 cm framed outer dimensions
- Fine art pigment print
- Hahnemühle William Turner
- Natural white passe-partout
- Bern 20 mm black lacquered wooden frame
- Glossy float glass
- No added printed border
Edition Terms
Fine art pigment print on Hahnemühle William Turner, framed with a natural white passe-partout and a black lacquered wooden frame.
This work is produced as a unique physical edition. The textured cotton paper was chosen for its quiet tactile surface, allowing the grain, muted spring greens, dark branches, and pale sky to remain soft and atmospheric.
The natural white passe-partout creates a measured distance around the image, while the black frame gives the work a restrained architectural edge.
Produced without automated image optimization or ultraHD sharpening, preserving the photograph’s original tonal balance, visible grain, muted spring greens, and soft atmospheric detail.
For availability, acquisition inquiries, or further details about this edition, please get in touch.
The image shown here represents the work in its digital viewing form. The physical edition may differ in scale, surface, tonal response, border, framing, or presentation according to the selected print and framing specification.
Skimmia japonica

Prints & Editions
Edition Note
Skimmia japonica
Edition Specifications
- Fine Art Pigment Print under Acrylic Glass
- Image size: 133.3 × 100 cm
- Finished outer dimensions: 139.5 × 106.2 cm
- Acrylic: 2 mm glossy acrylic glass
- Frame: Black Slimline Case
- Hanging system: aluminium rails
- Border: 3 cm white motif border
Edition Terms
This work is produced as a Fine Art Pigment Print under 2 mm glossy acrylic glass, presented at 133.3 × 100 cm with a finished outer dimension of 139.5 × 106.2 cm.
The large format was chosen to make the photograph immersive without turning it into spectacle. At this scale, the viewer can experience the image first as a field of spring light, soft pink blossoms, glossy green leaves, and shallow-focus atmosphere, then move closer to inspect the individual petals, fine texture, highlights, and layered depth within the flowers.
The glossy acrylic glass was chosen to preserve the photograph’s luminous, fresh, and light-filled character. It gives the highlights a gentle glass-like clarity and supports the sense of depth between the sharp foreground blossoms and the softer background forms. Rather than muting the image into a purely matte paper object, the acrylic presentation keeps the work bright, vivid, and quietly radiant.
The 3 cm white border gives the image breathing room and turns the presentation into a more deliberate fine-art object. It separates the delicate floral subject from the physical edge, allowing the photograph to feel calm, collectible, and refined. The black Slimline Case adds a precise outer boundary without becoming visually heavy, creating a restrained contrast against the soft spring palette.
The result is a large, luminous floral study: delicate but substantial, soft but detailed, with a presentation chosen to emphasize light, depth, freshness, and quiet visual abundance.
For availability, acquisition inquiries, or further details about this edition, please get in touch.
The image shown here represents the work in its digital viewing form. The physical edition may differ in scale, surface, tonal response, border, framing, or presentation according to the selected print and framing specification.
The Hidden Muse

Prints & Editions
Edition Note
The Hidden Muse
Edition Specifications
- 70 × 110 cm printed image
- 83.6 × 123.6 cm framed outer dimensions
- Fine art pigment print
- Hahnemühle Photo Rag
- Shadow Box Frame 21 mm, alder brown
- Ivory floating mount / passe-partout presentation
Edition Terms
Fine art pigment print on Hahnemühle Photo Rag, presented in an alder-brown shadow box frame.
This work is produced individually after acquisition as a unique physical edition. The larger scale and shadow box presentation were chosen to keep the photograph direct and immersive while giving the finished object a deeper, more architectural presence.
The matte cotton paper was chosen for its quiet surface and soft tonal character, supporting the photograph’s pale sky, stone texture, tree shadows, visible grain, and muted spring light without adding decorative gloss.
The alder-brown frame echoes the historical and devotional character of the statue while avoiding an overly ornate presentation. The shadow box structure gives the work depth and objecthood, allowing the photograph to sit as a finished physical piece rather than a loose print behind a conventional mat.
For availability, acquisition inquiries, or further details about this edition, please get in touch.
The image shown here represents the work in its digital viewing form. The physical edition may differ in scale, surface, tonal response, border, framing, or presentation according to the selected print and framing specification.
ducklings in the stream

Prints & Editions
Edition Note
ducklings in the stream
Edition Specifications
- 90 × 90 cm
- Fine art pigment print, mounted on aluminium Dibond
- Hahnemühle FineArt Baryta
- No external frame
- No added border
- Metal hanging system
Edition Terms
Fine art pigment print on Hahnemühle FineArt Baryta, mounted on aluminium Dibond.
This work is produced individually after acquisition as a unique physical edition. The baryta surface was chosen for its photographic depth, contrast, and fine detail separation, allowing the small ducklings, water highlights, soft grasses, and muted spring colours to remain visible without making the image feel overly glossy or decorative.
The aluminium Dibond mounting gives the print a stable, finished presence while keeping the presentation minimal. No external frame is used, allowing the photograph’s own black-and-white border to define the object.
Produced without automated image optimization or ultraHD sharpening, preserving the photograph’s original tonal balance, visible grain, soft motion, and atmospheric detail.
For availability, acquisition inquiries, or further details about this edition, please get in touch.
The image shown here represents the work in its digital viewing form. The physical edition may differ in scale, surface, tonal response, border, framing, or presentation according to the selected print and framing specification.
The Soft Ascent

Prints & Editions
Edition Note
The Soft Ascent
Edition Specifications
- Printed image: 102 × 70 cm
- Framed outer dimension: 116.6 × 79.6 cm
- Paper: Hahnemühle Photo Silk Baryta X
- Frame: WhiteWall Shadow Box Frame, 21 mm, Black oak
- Passe-partout: 3 cm, bright white
Edition Terms
Fine art pigment print on Hahnemühle Photo Silk Baryta X, presented in a black oak WhiteWall shadow box frame.
This work is produced individually after acquisition as a unique physical edition. The large 102 × 70 cm print size was chosen to make the image feel open and immersive, allowing the viewer to enter the soft spring atmosphere of blossoms, foliage, sky, shadow, and visible grain while still preserving the photograph as a complete composition rather than a detail-driven enlargement.
The print is made on Hahnemühle Photo Silk Baryta X, selected for its balance between fine-art restraint and gentle luminosity. Its silk-baryta surface gives the image more light, depth, and reflective presence than a fully matte cotton paper, while avoiding the overly polished character of a conventional glossy print. This supports the spring-like lighting of the photograph: the pale blossoms, blue sky, and green foliage retain a quiet glow without becoming decorative or slick.
The photograph retains its digital inner frame, which is part of the final presentation. This printed border adds depth and objecthood within the image itself, creating a subtle transition between the photographic world and the physical framing. Rather than removing it, the inner frame is kept as a deliberate visual layer: image, printed border, passe-partout, and shadow box structure.
The 3 cm bright white passe-partout gives the work breathing room without making it feel distant or overly formal. The black oak shadow box frame adds architectural depth and contrast, grounding the soft floral image and turning the piece into a finished physical object rather than a loose print.
For availability, acquisition inquiries, or further details about this edition, please get in touch.
The image shown here represents the work in its digital viewing form. The physical edition may differ in scale, surface, tonal response, border, framing, or presentation according to the selected print and framing specification.
System, Unoccupied

Green Lines and Gauges

Prints & Editions
Edition Note
Green Lines and Gauges
Edition Specifications
- 70 × 70 cm
- Fine art pigment print
- Hahnemühle FineArt Baryta
- Mounted on aluminium Dibond
- No external frame
- Concealed metal hanging system
- No added border; the visible border is part of the image
Edition Terms
Fine art pigment print on Hahnemühle FineArt Baryta, mounted on aluminium Dibond.
A single physical edition of this work will be produced. The baryta surface was chosen for its dense blacks, photographic depth, and subtle darkroom-like sheen, giving the industrial structure a tactile presence without adding decorative gloss.
The print is mounted on aluminium Dibond with a concealed metal hanging system. No external frame or additional border is used; the visible border is part of the image itself.
Produced without automated image optimization or additional ultraHD sharpening, preserving the original grading, grain, contrast, and color balance of the work.
Delivered with a signed certificate of authenticity.
For availability, acquisition inquiries, or further details about this edition, please get in touch.
The image shown here represents the work in its digital viewing form. The physical edition may differ in scale, surface, tonal response, border, framing, or presentation according to the selected print and framing specification.
Laboratory Refuse
